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SDG
God so loved the world, John Stainer, from the Crucifixion. John 3:16.
SDG
4:00 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
 
Precious Lord take my hand, lead me on, let me stand. Also known from Elvis Presley.
SDG
0:43 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
Bass Bass 12 0 2 3 45%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopraan/Alt Treble 15 0 3 4 100%
Tenor/Bas Bass 14 0 3 4 100%
Bass Bass 12 0 2 3 45%
 
Am Abend, da es kühle war. BWV 244, part II, nr. 74 (BWV), nr. 64 (NBA). Johann Sebastian Bach.
SDG
2:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 2 100%
Treble 20 0 8 4 100%
Altviool 20 0 7 4 100%
Bariton Bass 20 0 7 6 100%
Continuo Bass 9 0 2 4 100%
Contrabass Bass 10 0 2 4 100%
 
The Angel Gabriel, Basque Carol, Arrangement: Gertim (SDG)
SDG
1:08 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 4 100%
Tenor/Bass Bass 12 0 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 4 100%
Tenor/Bass Bass 12 0 1 4 100%
 
229. Daar juicht een toon daar klinkt een stem
SDG
0:25 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 1 4 100%
T B Bass 12 2 0 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 1 4 100%
T B Bass 12 2 0 4 100%
 
Er is een kindeke geboren op aard'. Oud Hollands kerstlied. Orgel, sampleset Giubiasco, by Piotr Grabowski. Arrangement: Gertim (SDG).
SDG
4:30 Est. Play
Time
94 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 3 6 100%
Contrabass Bass 20 0 1 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 3 6 100%
Contrabass Bass 20 0 1 5 100%
Flute Treble 19 0 4 5 100%
S
A		 Treble 19 0 4 5 100%
T
B		 Bass 25 0 4 6 100%
 
224. Houd Gij mijn handen beide met kracht omvat. Lord take my hand and lead me.
SDG
0:42 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 9 0 1 4 100%
Bas Bass 8 0 0 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 9 0 1 4 100%
Bas Bass 8 0 0 4 100%
Sopraan Treble 9 0 1 4 100%
Tenor Bass 10 0 2 4 100%
 
It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
 
233. Grijp toch de kansen door God u gegeven.
SDG
0:57 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 6 0 2 5 100%
Bas Bass 9 0 2 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alt Treble 6 0 2 5 100%
Bas Bass 9 0 2 5 100%
Sopraan Treble 9 0 1 5 100%
Tenor Bass 10 0 3 5 100%
 
When I survey the wondrous cross (TUNE: O WALY, WALY)
SDG
0:41 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 0 4 100%
T B Bass 13 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 0 4 100%
T B Bass 13 0 0 3 100%
 
Panis Angelicus, César Franck.
SDG
3:39 Est. Play
Time
61 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 6 6 6 100%
Pedal Bass 18 0 6 6 92%
Organ Bass 12 6 3 5 80%
Harp Treble 21 39 5 2 60%
Bass 35 41 10 2 68%
Voice Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Treble 8 0 1 7 67%
Violoncello 11 0 2 8 59%
 
As with gladness men of old, christmas carol
SDG
0:32 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 10 0 0 3 100%
Contrabass Bass 8 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 0 4 100%
Tenor/Bass Bass 10 0 0 3 100%
Contrabass Bass 8 0 0 3 50%
 
24. Gib dich zufrieden und sei stille. Schemelli/Bach, inner voices: Gertim. BWV 460.
SDG
1:23 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 18 0 5 5 100%
Soprano/Alto Treble 16 0 3 5 96%
Contrabass Bass 13 0 3 5 50%
 
In the bleak mid-winter, full score, Harold Darke, with MS-'organ' accompaniment. I made a score with separate pedal.
SDG
3:35 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Choir Treble 14 0 1 6 66%
Tenor/Bass Bass 17 0 1 6 66%
Organ Treble 16 31 1 5 63%
Pedal Bass 12 0 0 6 54%
Bassoon Bass 12 1 0 5 44%
Soprano Treble 10 0 1 6 22%
Tenor Treble 10 0 1 6 22%
 
Nearer, My God, To Thee. Nader mijn God bij U, Joh. de Heer 456)
SDG
0:36 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 10 0 0 5 100%
T B Bass 11 1 0 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 10 0 0 5 100%
T B Bass 11 1 0 5 100%
 
My Jesus, I love Thee, I know Thou art mine. Mijn Jezus, ik houd van U, ik noem U mijn vriend, Opwekking 392
SDG
0:55 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 0 5 100%
Tenor/Bass Bass 13 7 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 9 0 0 5 100%
Tenor/Bass Bass 13 7 2 5 100%
 
Het is volbracht! (variant III). Composed by Gertim
SDG
0:47 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 17 0 4 4 100%
Bass 17 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 17 0 4 4 100%
Bass 17 0 2 3 100%
 
O Love, that will not let me go.
SDG
0:33 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 2 5 100%
T B Bass 11 1 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 11 0 2 5 100%
T B Bass 11 1 1 5 100%
 
33. Ich steh' an deiner Krippen hier, Schemelli, Bach, BWV 469.
SDG
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 4 100%
T B Bass 16 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 4 100%
T B Bass 16 0 3 4 100%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%